I’m not sure there has ever been a smaller omnibus than this. I have spent the bulk of the week with a pair of problematically anti-racist novels by American white men (Moby-Dick and It). I have nothing to say about either of these at the moment, being relatively near the start of one and enticingly close to the end of the other. So, content thyselves with these two reviews of a wonderful piece of music that everybody should hear and a brilliant season finale to a show that everybody should watch.
John Luther Adams: Four Thousand Holes — I return to this fairly often when I need something cathartic, yet slow-paced. Adams’ music always moves at a rate that’s slower than your brain wants to move, which is how it pulls you in. But the title composition of this album is, I think, a particularly special piece because it slows your brain down, and then proceeds to build up to a satisfying climax while it has you in a trance. I daresay it does in a chamber music context what his epochal Become Ocean does with a full orchestra. The fact that it invokes the climax of “A Day in the Life” in the process is a nice touch, but unlike many “art music” works that reference iconic pop songs, it is not the entire point. I really adore this. Pick of the week.
The Good Place: “Somewhere Else” — It’s a smaller finale than the season one finale, but that’s inevitable. Once again, this show has drastically altered its status quo: a thing it does several times per season. This is a particular barnburner for Kristen Bell and Ted Danson, whose barroom scene is one of the best in the show so far. How long do we have to wait for season three???